Babak Radboy
Author Archives: bodies
Open Rhythms Remix 12″
Hi Everyone – Pictured above is the ‘Open Rhythms’ 12″ recently put out by Manchester’s Aficionado Records. Bodies of Water’s version is on one side, and Paul “Mudd” Murphy’s remix is on the other (listen here). If you’d like to buy one of these from us, let me know (mail at bodiesofwater dot net) and [...]
Posted in BoW Songs, Remixes
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Delinquent Missive
. Before David Ricardo stabbed his daddy sixteen times with a fork — Once for every year of my fuckwad life — he’d long showed signs of being bent. In school, he got no valentine nor birthday cake embellished with his name. On Halloween, a towel tied around his neck was all he had to [...]
Broken Record
Here’s a brief feature on cracklefeedback in which David discusses a few of his favorite records.
Open Rhythms – Mudd’s Ellis Beach Dub
Paul “Mudd” Murphy’s remix of BoW’s Open Rhythms. The 12″ comes out very soon, on Manchester’s Aficionado Recordings. Pre-order a record here.
Rise Up, Careful
The music video for “Rise Up, Careful.” Thank you so much to everyone who helped to make the video Directors: David & Meredith, Kevin Phillips, Eli Born Directors of Photography: Kevin Phillips, Eli Born Editors: Kevin Phillips, Eli Born Producer: Charisse Manzi Executive Producer: Jett Steiger Cast: Ron Strand, David Metcalf, Patrick McKenzie, Meredith Metcalf, [...]
Here in Los Angeles
Hi Friends. We have not been putting information up onto the internet lately, but that is because we are working hard on several new things. When they make their way out into the world (soon), you will be the first to know. ALSO, we have lately received a number of heartening email messages from people [...]
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Jazz
American jazz musicians Kenny G (left) and Miles Davis (right).
Mike Kelley (1954-2012)
Mike Kelley died yesterday. My favorite piece by Kelley is the installation ‘Pay for your Pleasure,’ which was originally put in the Renaissance Society at the University of Chicago in 1988. A hallway is lined with pictures of Baudelaire, Wilde, and those sorts of people, with quotations from each of them about the artist’s (necessary) [...]
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